It is as if the storm is clouding his judgment about how much traveling and energy he has left in his body. Schubert and Müller For a review of Schubert's life there are many sites you can visit on the web. Wasserflut 7. All twenty-four pieces in the song cycle share similar themes, metaphors, and central conflicts. A song-by-song analysis of Die schöne Müllerin, Winterreise and Schwannengesang, which offers invaluable advice on practical aspects of performance from the most important song accompanist of the 20th century. The imagery does not allude to bright and cheerful times for the narrator. He has traveled with such intensity that he is getting worn down physically and emotionally. The use of F major puts much weight on his feelings of sorrow and loneliness. Winterreise är en diktcykel som består av 24 dikter av Wilhelm Müller och som framför allt är känd som en sångcykel (D 911) för mansröst och piano komponerad av Franz Schubert och publicerad 1827 med opusnummer 89. Winterreise. His thoughts of longing for true love keep him unsettled during his time of rest. The a phrase concludes with a perfect authentic cadence (m.10) and is followed by the a’ which changes tonality with a perfect authentic cadence in the key of F major (m.15). These three characteristics add structural support in linking these two pieces together. But I sense that this song, titled "Einsamkeit" or "Loneliness" evokes a lot more than just loneliness. Die Wetterfahne 3. Who's Gonna Love it. The use of an imperfect authentic cadence doesn’t give this section the sense of arrival that is should create. The piano acts as a an unsung voice in these sections. Gefror'ne Tränen09:56 4. Der Lindenbaum17:38 6. The leading tone to the dominant key, the E sharp, is followed by scale degree one and five. The Schubert Song Cycles: with thoughts on performance. Gefror’ne Tränen 4. Schubert was able to paint an incredible story of true love and passion by linking all of the inner workings of these pieces together and creating a timeless masterpiece. The winter is getting more treacherous, building up his inner sorrow and his desire for true love and the beautiful spring season. Saying "goodbye" is often not only a moment of parting, but also a moment of beginning. Therefore, these two works are related to one another through the analysis of text, key signature, and central metaphor. Strophe Erstarrung 5. The piano is almost like a second character in the piece. English translations by William Mann, used here with permission. Growing up in Austria as the son of a schoolmaster, Schubert showed remarkable skill in piano, violin, organ, singing, and … The winter storm is burdening him and he is looking for some hope in his life. About 'Gute Nacht (Winterreise)' Artist: Schubert, Franz (sheet music) Born: January 31, 1797 , Himmelpfortgrund, Austria Died: November 19, 1828 , Vienna The Artist: Franz Peter Schubert (January 31, 1797 - November 19, 1828), was an Austrian composer. Liszt's transcriptions use Schubert's melody, form and accompaniment figures as a basis, with the vocal line woven into the piano texture. Schubert designated these as the 2. Two pieces in particular are Rast (Rest) and Einsamkeit (Solitude). In Einsamkeit the narrator has two statements. The use of imperfect authentic cadences and half cadences reflects the inner struggle that the narrator is experiencing. Die Wetterfahne07:33 3. The narrator is very tired from his travels that he keeps pushing himself to go farther in the hopes that he will find his true love. The first was Die schöne Müllerin or The Beautiful Miller’s Daughter. Rast and Einsamkeit are two examples of how songs from the same collection hold much internal value and whose concepts are still relevant to this day. Fans of Schubert and German Art Song, Modern Art lovers. 197900:20 1. Schubert’s Winterreise (Winter Journey), published in 1828, is a song cycle of 24 movements for voice and piano. Even by Schubert’s standards, this song is remarkable for the eloquence of its. It leaves the listener open ended and desiring for more. The narrator lacks motivation to go on and has given up. This dramatic effect puts an emphasis on the narrators overall emotional well being. Strophe 1. These songs would not have the same effect and impact on the listener if they were set in a major key. Schubert uses the piano in Einsamkeit as a means to set the mood for the piece. The a phrase ends on “Da ich zur Ruh mich lege” (as I to the sleep myself lie down) and the a’ phase ends on “Auf unwirtbarem Wege” (on inhospitable paths). ohne Abschied Auf dem Flusse Lied e - Moll schlicht, monoton gis-Moll starr Gedicht Mein Herz, in diesem Bache Erkennst du nun dein Bild ? When taking a clear look and analysis of the piece Der Leiermann by Franz Schubert, the form starts with an eight measure introduction. He is longing to be reunited with his love that has left him and his heavy heart allows for the narrator to melt away these burdens and keep his journey moving forward. The narrator is trying to convince himself that everything is fine around him, but his inner emotions are conflicting with his actions. This is interesting because it throws the listener off a little bit because it has already been stated twice in the previous section as having a resolution to C major. “That is a cycle with a clear narrative that takes place over time. The B phrase is made up of four phrases. …the modified-strophic setting of “Der Lindenbaum” (“The Linden Tree”), from the cycle Winterreise (“Winter Journey”), Schubert changes from major to minor for the stanza suggesting bitter recollections, gives a more dramatic interpretation to both the voice and piano for references to the chilling winter wind, and, finally, repeats the music… Both poems talk about the narrator’s feet. When the narrator feels the hot sting of the serpent, the music becomes more intense. Strophe 2. Einsamkeit • Conclusion of the original cycle • Change in key • Manuscript – D minor • Published (final) version – B minor • First 2 stanzas • Slow 8th notes – step-like motion • “trägem Fuß” (Dragging foot) (mm. All twenty-four pieces in the song cycle share similar themes, metaphors, and central conflicts. He longs for true love, but winter’s sorrow has taken its toll. A’ talks of how his travels prevent him from sleeping. The more the storm rages, the more passionate the narrator lusts for his lover. The fact that these two stanzas are repeated twice at the end of the piece brings forth the conceit of the poem. Schubert described Winterreise as being “truly terrible, songs which have affected me more than any others”. A Music and Text Analysis of Franz Schubert’s Winterreise February 23, 2015 thepostacademy Leave a comment Franz Schubert’s vocal cycle Winterreise, tells the story of a man who has embarked on a long winters journey. The text talks of the calm world around the narrator, but the piano interjects with the tension and unease that is building within the narrator. In Rast the narrator says “Der Sturm half for mich wehen” (the storm helped onward me to blow). Winterreise, D.911 (Schubert, Franz) Movements/Sections Mov'ts/Sec's: 24 songs (Op.89); 5 songs (1st versions) Composition Year 1827 February - Autumn Genre Categories: The narrator seems to have a lot doubt surrounding his own strength. Winterreise (Winter Journey) by Franz Schubert “I came here a stranger, as a stranger I depart.” These first lines of Schubert’s Winterreise speak an unshakeable truth – we are, all of us, alone on a journey in an unfamiliar landscape. Gute Nacht 2. Translations from the booklet of Thomas Hampson’s recording of Winterreise (EMI/Warner Classics, 1997) 1. Schubert designated these as the 1. Der Lindenbaum: vocal music: The 17th–20th centuries: the modified-strophic setting of “Der Lindenbaum” (“The Linden Tree”), from the cycle Winterreise. It contains the following poems/songs. The music during this is calm and peaceful. 7, 20) 12. The text to Rast and Einsamkeit share many similar examples of imagery. D minor represents the narrator’s apparent struggle with reality and his emotions. The a phrase has a perfect authentic cadence (m.37), but instead of going to C major, the tonality shifts to a cadence in Bb major. demonstrates this. Specifically on Winterreise you are invited to see a new site by Margo Briessinck.A site on Wilhelm Müller is currently being prepared by Cecilia Cloughly in connection with the Internationale-Wilhelm-Müller-Gesellschaft in Berlin. The b phrase creates a half cadence with a d half diminished chord (m.30) and the c phrase presents the first perfect authentic cadence of the piece (m.34). The genesis of both the poems and the music of Winterreise is complex and took place in several stages.¹ The poet Wilhelm Müller published the verses used in the cycle in three separate collections (table 1.1). Sarah Cook Musicianship II Analysis Paper: Winterreise: “Gute Nacht” Dr. Helvering Due: 4/28/14 Born January 31st, 1797, in Himmelpfortgrund, Austria, Franz Shubert was a renowned musician at a young age. The snow, sleep deprivation, and storm are not enough to hold down the narrator. He is able to persevere because of his passion for unfeigned love. Both poems also talk about the winter storm that is conjuring outside while the narrator is traveling. The imbalance of these cadences creates a tension that goes along with the narrators perilous journey through the tundra. Erstarrung12:46 5. The a phrase cadence depicts how slowed down, worn out, and frazzled the narrator is from his travel. He does not put up a very strong fight to change his situation, rather just accepts his loneliness and despair. The b phrase ends with a series of half cadences that are stated twice (m.14-18 and m.18-22). Winterreise was written in two parts and is about a heartbroken man. When storms were raging, I was not so wretched as this). Required fields are marked *. This essay will attempt to provide a detailed analysis of Schubert's lied, "Auf dem Flusse," according analytical techniques developed by Arnold Schoenberg. In spring 1827 Schubert performed the first part of his best-known song cycle ‘ Winterreise ’ for his friends for the first time. B E-Dur (Wilhelm Müller) "Handlung" Schubert 3. The phrase “Fühlst in der Still’ erst deunen Wurm/Mit heissen Stich sich regent” (feel in its stillness the serpent stir with its hot sting!) The piece is also set in the key of d minor and the A section consists of four phrases. The narrator is struggling to pass through a winter storm with limited sleep and a heavy heart. The two works share similar thematic ideas, musical structure, key signature, and central metaphor. The b phrase has a half cadence (m.42) and the c phrase concludes with perfect authentic cadence in D minor (m.46). Unlike the former work, this cycle is less clear, more metaphysical, Sly added. The songs take the audience on a … Blog. The B section consists of six small phrases. An English translation of Schubert’s Die Winterreise, settings of poems by Wilhelm Müller and a synopsis of the story told by the poems. ÏVg|ò Ÿ‰fqÚØþ©õó¶ãNýÀû&ò„xCù“tN’©Ýþ™àÃÀ2YâÍTˆDp2Á°AE‹ ÿ4ãa˜M¤…ÁŠ]4,¿ˆ.ϙóàÀ±?”"Nž‰q‹f`%Ÿ{}Ï a5ßø#˜ØK–‹ë o7Õ2ª1­d8ÖðÛl2Æ?%?+€†Ãp[/(¬ä ~SµˆýbýúUËJ‹“…WJOŒýPxÃÔJ›Xs5h¤¡.l|2DŠÆL\Ì£8‘ŸëOŸ¼y3û"ÿ~Õ¬k: ¢>WýdêËíÁ“§;ŠöihQŽœ/ìЊçÆél$ú}>ND|éFA÷?u;îëÜ(„¹$ýÆQc0†ï¶ôߋ~Ûi‹Ù`Æã‰ö[ÌéÂÓb«+Ï!®œåÔO„-çܶ=…½Œùü²PÚg¦tpõw–3J“$ Schubert’s attention to the inner workings of the text allowed for him to craft these pieces accordingly. -õq9Š.p4Xæþ(Š=ÛPrå¸. The first half of the phrase (m.57-58) talks of how the narrator is able to feel a serpent on his body. Einsamkeit & 24. Rast is the tenth song in Winterreise and is in strophic form. Both of these pieces start with a five measure introduction, begin on the and of beat two, and are in 2/4 time. The vocal melody and the piano are playing a very calm and melodic passage. The first twelve poems initially appeared in Urania: Taschenbuch auf das Jahr 1823. “Der Leiermann” (“The Hurdy-Gurdy Man”), the last song in the song cycle Winterreise (“Winter Journey”) by Franz Schubert, shows the young narrator's identification of his own broken life with that of the old, lonely, and despised hurdy-gurdy man he observes. The a phrase concludes with an imperfect authentic cadence in D minor and is stated again with the same cadence type (m.6-10 and m.10-14). 13 Die Post (Von der Straße her ein Posthorn klingt…) 14 Der greise Kopf (Der Reif hat einen weißen Schein…) 15 … It contains the following poems/songs. The text gives off the impression that the narrator is not content with his aching body, ultimately giving into his sorrow. Abtheilung, 'first section'. Gute Nacht05:43 2. The a phrase ends with a perfect authentic cadence in G major (m.18), the b phrase ends with a perfect authentic cadence in F major (m.20), the c phrase ends on a half cadence in the tonic key of D minor (m.22), the d phrase has a perfect authentic cadence (m.25), the c’ phrase has a half cadence (m.28), and the d’ phrase concludes with a perfect authentic cadence (m.31). Rast and Einsamkeit contain many similarities. On the face of it, Wilhelm Müller’s "Winterreise" poems don’t appear to present an enormous challenge to the trans- lator. The first is “Wie eine trübe Wolke/Durch heitre Lüfte geht/Wenn in der Tanne Wipfel/Ein mattes Lüftchen weht” (As a dark cloud drifts in clear skies, when a faint breeze blows, through the tops of the firs) and the second is “Ach, dass die Luft so ruhig!/ Ach, dass die Welt so licht!”/Als noch die Stürme tobten/War ich so elend nicht” (Alas, the air is so calm, and the world so full of light!